![]() |
FIRST COMMUNION DRESS
Lorenza Curiel, 7; is a sight for her young neighbors
as she waits for her mother to lock door,
take her to church.
|
Spanish Village
LIVES IN ANCIENT POVERTY AND FAITH
PHOTOGRAPHED FOR LIFE BY W. EUGENE SMITH
The village of Deleitosa, a place of about 2,300 peasant people, sits on the high, dry, western Spanish tableland called Estremadura, about halfway be tween Madrid and the border of Portugal. Its name means "delightful," which it no longer is, and its origins are obscure, though they may go back a thousand years to Spain's Moorish period. In any event it is very old and LIFE Photographer Eugene Smith, wandering off the main road into the village, found that its ways had advanced little since medieval times.
![]() |
ON THE OUTSKIRTS
At midmorning the sun beat down
on clustered stone houses.
In the distance is belfry of Deleitosa’s church.
|
There are a few signs of the encroachment of the 20th Century in Deleitosa. In the city hall, which is run by political subordinates of the provincial governor, one typewriter clatters. A handful of villagers, including the mayor, own their own small radio sets. About half of the 800 homes of the village are dimly lighted after dark by weak electric light bulbs which dangle from ancient ceilings.
And a small movie theater, which shows some American films, sits among the sprinkling of little shops near the main square. But the village scene is dominated now as always by the high, brown structure of the 16th Century church, the center of society in Catholic Deleitosa.
And the lives of the villagers are dominated as always by the bare and brutal problems of subsistence. For Deleitosa, barren of history, unfavored by nature, reduced by wars, lives in poverty-a poverty shared by nearly all and relived only by the seasonal work of the soil, and the faith that sustains most Deleitosans from the hour of First Communion (opposite page) until the simple funeral (pp. 128, 129) that marks one's end.
![]() |
"EL MEDICO"
Dr. Jose Martin makes rounds with lantern
to light patients' homes.
He does minor surgery,
sending serious cases to city of Caceres,
and treats much typhus.
SMALL BOY'S WORK
The youngest son in the Curiel family,
5-year-old Lutero, sweeps up manure
from the street outside his home.
It is carefully hoarded as fertilizer,
will be used on the eight small fields the
family owns or rents a few miles out of town.
"SENOR CURA"
Out on a walk, the village priest, Don Manuel, 69,
passes barred windows and curtained door of a home.
He has seldom meddled in politics-the village
was bloodily split during the civil war-but
sticks to ministry. Villagers like that.
|
![]() |
DIVIDING THE GROUND
At harvest time many of the villagers
bring unthreshed wheat from their outlying fields
to a large public field net to town.
Here they stake out 5-by-12- yard plots where t
hey spread the full stalks, thresh grain as forefathers did.
HAGGLING OVER LOTS
Sometimes luck gives one family stony ground
for threshing, another smooth.
This brings arguments since the smooth ground
makes for easier threshing-a process begun by
driving burros over stalks with a drag that loosens kernels.
|
![]() |
SEEDING TIME
Beans planted, the villager presses hard
on his flattened plow as it scrapes the
dry soil back into furrows.
A neighbor woman leads donkeys, one borrowed.
PLOWBOY FOR HIRE
Genaro Curiel, 17, son of man
planting beans (above),
carries his crude wooden plow
as he heads for work at a wage
of 12 pesetas (30¢) and one meal a day.
WINNOWING GRAIN
With the straw already broken away,
wheat kernels are swept into a pile
and one of the women threshers tosses
them up so the breeze can carry off the chaff.
|
![]() |
HIS WIFE, DAUGHTER, GRANDDAUGHTER
AND FRIENDS HAVE THEIR LAST
EARTHY VIST WITH A VILLAGER
|










No comments:
Post a Comment