The Bondo in block, blue, or rust brushed coif. Also in town brown or block polished calf.
The Bo-peep in green, red, or turf tan polished calf. Also in coif-trimmed block suede.
Tisshoes
the lightest shoes ever to float In your direction
So supple two fingers can bend them in two.
P. SMITH SHOE CO.
Chicago 22, Illinois
------------------------------
STARS ON RECORDS
Photos by MAURCE TABARD
· Mary Martin has revived the scores of three classics of the thirties, Anything Goes, The Bandwagon and Babes in Arms, for Columbia Records. Miss Martin's heart belonged to Daddy in 1939 in Leave It to Me, her first big hit on the big time. She was not among those present when the three recorded scores were played on Broadway, but she treats them with easy familiarity and winning exuberance.
· Simultaneously with the publication of Star Quality, his remarkably diversified collection of short stories, Noel Coward, below, recorded Saint-Saens’s Carnival of the Animals suite with Andre Kostelanetz. His super-British enunciation ornaments the verses written for the occasion by Ogden Nash; "The kangaroo can jump incredible. He has to jump because he's edible. I could not eat a kangaroo, but many fine Australians do. Those with cookbooks as well as boomerangs, prefer him in tasty kangaroomerangs."
The Bo-peep in green, red, or turf tan polished calf. Also in coif-trimmed block suede.
Tisshoes
the lightest shoes ever to float In your direction
So supple two fingers can bend them in two.
P. SMITH SHOE CO.
Chicago 22, Illinois
------------------------------
STARS ON RECORDS
Photos by MAURCE TABARD
· Mary Martin has revived the scores of three classics of the thirties, Anything Goes, The Bandwagon and Babes in Arms, for Columbia Records. Miss Martin's heart belonged to Daddy in 1939 in Leave It to Me, her first big hit on the big time. She was not among those present when the three recorded scores were played on Broadway, but she treats them with easy familiarity and winning exuberance.
· Simultaneously with the publication of Star Quality, his remarkably diversified collection of short stories, Noel Coward, below, recorded Saint-Saens’s Carnival of the Animals suite with Andre Kostelanetz. His super-British enunciation ornaments the verses written for the occasion by Ogden Nash; "The kangaroo can jump incredible. He has to jump because he's edible. I could not eat a kangaroo, but many fine Australians do. Those with cookbooks as well as boomerangs, prefer him in tasty kangaroomerangs."
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